Additive / subtractive
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Apr 02, 2020 Fl Studio 20.6.2.1549 Crack free download is one of the worlds most popular and number 1 music production systems. It is a fully Digital Audio Workstation and complete tool for the production of the music environment. Now, how it's synthesized shouldn't matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn't be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters.
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Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine. Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. You don't just select filter types, you draw them.
You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts. Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently.
Processing units can be rearranged in a semi-modular way. If you need one of the 2 filter units processed after the blur unit, that's no problem.
Image synthesis
Because it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle. No human can (or even wants to) edit 500 envelopes, but editing 2D images, that we can do easily. Get access to gain & pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasn't designed to be turned into audio, it might still sound interesting.
Audio resynthesis
Being an additive synthesizer, Harmor can resynthesize audio files as well. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.
And of course, the result of the analysis can still be turned into an image for further editing.
Efficient
Additive synthesis is generally very CPU-consuming, but not Harmor's engine. Its efficency is in fact, comparable to that of subtractive synthesizers. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Processing being multi-threaded, extra CPU cores come in handy.
Pixels!
Resynthesis or image-synthesis, Harmor features both. Import a piece of audio and time-stretch or pitch-shift it (with formant and transient preservation). Convert this to an image and edit each partial individually!
Two parts
Two independent parts (or “layers”) for even more complex sounds. Parts can be imported from other presets.
SFX
In the effects section you will meet all the usual suspects: distortion, chorus, delay and reverb, as well as the mighty Soundgoodizer based on the Maximus engine. Just like processing units, effect slots can be re-ordered.
Each part has its own effect mix amount.
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Looks pretty
If you don't understand it, visualize what it's doing, best way to learn! Watch how each partial evolves in the built-in spectrogram, a picture is worth a thousand words.
System requirements
Harmor in FL Studio
- Harmor works inside FL Studio both under Windows and macOS
VST plugin
- ATTENTION: NO macOS VST version available!
Can NOT be used in other DAW on Mac.
Use INSIDE FL Studio is possible on both macOS and Windows - WINDOWS: 7, 8, 10 or later
- 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
- 512Mb RAM.
- 30Mb free disc space.
- DirectSound or ASIO compatible soundcard.
- VST2 compatible host.
Extra Harmor Presets
Not just another subtractive synth....
You may ask: why?
For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed.
Now, how it's synthesized shouldn't matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn't be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial's frequency, creating timbres definitely impossible using common synthesis methods.
Harmless, for less harmonics
Again, Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks.
Not necessarily less efficient
Powered by a highly optimized, multithreaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU.
Because less is more
Harmless was limited by design. We don't have any problem with complex synthesizers (we made several), but they're not for everyone. Here, no tabs, no hidden controls, no multipoint envelopes, all features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.
Harmless, only in appearance
Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser's output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser's width to the velocity, or the pitch to the filter's envelope.
Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask.
Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multiband compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus.
In conclusion, our goal was to create a subtractive synthesizer with a unique twist, that also was easy to program, and we believe it succeeded.
System requirements
Harmless in FL Studio
- Harmless works inside FL Studio both under Windows and macOS
VST plugin
- ATTENTION: NO macOS VST version available!
Can NOT be used in other DAW on Mac.
Use INSIDE FL Studio is possible on both macOS and Windows - WINDOWS: 7, 8, 10 or later
- 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
- 512Mb RAM.
- 30Mb free disc space.
- DirectSound or ASIO compatible soundcard.
- VST2 compatible host.