ACE V1.1
Software synthesizer, which aims to deliver the highest quality audio at a very competitive price.
Diva V1.1.1
Virtual-analog synthesizer, oscillators, filters and envelopes that are an exact model of the components, which can be found in prominent monophonic and polyphonic synthesizers of yesteryear.
Read more / download: The Tyrell Nexus is a virtual analog synthesizer.The sound engine is circuit-modeled and is similar to the u-he ACE. The features are those that we may expect from a vintage synthesizer like the Juno series from Roland.
Filterscape V1.3
Effects processor.Features: 2 multi-mode filter (missing LF / HF, bandpass and notch), 4-band equalizer with the ability to morph and different modes of operation.Synced delay.The modular structure, internal mixing units.Modulation: MIDI, step sequencer, LFO generators, envelope follower.
MFM V2.1
More Feedback Machine has always been synonymous with the ultra-flexible delay effects ranging from simple effects to the strange rhythm of destruction.In the early days of MFM1 it was far ahead of its time.MFM2 tradition continues and expands its capacity for the future.MFM idea is to give the musician as much control over the individual delay lines 4, allowing them to interact, and offering easy ways to modulate the delay parameters in real time.
- We see so many soft synths that it's sometimes hard for us to get excited by them. But u-he's new ACE - or Any Cable Everywhere - has managed to get a serious rise out of us. Not only is it born of excellent stock (u-he's Zebra 2 synth and Uhbik effects bundle both earned five star reviews on MusicRadar), but it uses an approach that's actually quite uncommon in soft synths: it's a semi.
- Zebra 2 is a wireless modular synthesizer designed for flexibility, ergonomy and low CPU hit. Its Modules only appear while they are in use: Add an oscillator to the patching grid and it will appear on the left, use an LFO for anything and it will appear on the right. After a little practice you will find programming Zebra 2 very comfortable and lightning fast.
- Get ACE by u-he and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free.
- Aug 22, 2019 U-He ACE VST for MacOS X is an impressive and powerful synth with the tools as well as features which are ready for the beginners or experienced users. It has been equipped with the semi-modular architecture with the default routing. You can also download ArtsAcoustic Reverb VST for MacOS X.
Uhbik V1.2
A quality set of standard effects.Includes GrainDad, Flanger, Phaser, Tremolo & Pan, Frequency Shifter, Ambience & Reverb, Multitap Delay, Equalizer, Runciter.This kit is suitable for both information and for mastering.
Jul 26, 2017 ACE by U-he is a software synth with a semi-modular architecture with default routing like an ARP 2600. Patch any output to any input in. U-he ACE Sound Library by Wagsrfm is Soundware (e.g. Samples or presets that load into other products).
U-he Ace Vst Download Full
Zebra V2.5.4
Powerful modular synthesizer that combines different types of synthesis, a powerful modulation mechanisms.With this tool, you can create any waveform that you like, use it extensive set of spectral effects, or to pass through the existing filters.The possibilities are virtually limitless, it’s like a playground, only for sound engineers.Computer Music Magazine in 2011 nominated 10 best VST-synth, of which 2 Zebra took honorable first place!
Related posts:
ACE (Any Cable Everywhere) aims to deliver top quality sound at a competitive price. The selection of modules and clear layout make ACE the ideal instrument for newcomers delving into the fascinating world of modular synthesis. The number of ways to connect modules together is practically infinite, and you will soon discover how much more fun it is to make your own sounds in ACE than in a non-modular synthesizer, according to u-he.
ACE may seem underspec’ed judging from its raw feature list, but bear in mind that virtually everything can be plugged into everything else. You can plug an LFO into a Filter and from there use it as a source for FM.
Features:
- 2 x LFO (1 sine, 1 sine/tri/saw/sqr) 0Hz – 20kHz.
- 2 x ADSR (same as Bazille).
- 2 x VCO (saw/PWM) 0Hz – 20kHz, VCO1 with SubOsc.
- 2 x VCF (two variable outlets each: LP1/LP2/LP3/LP4, HP/BP/BR).
- 2 x VCA/Pan.
- 2 x Multiples (as in Bazille).
- 1 x Mixer (Osc balance, Sub, Noise, Aux).
- 1 x Ramp Generator (up->hold->down->rest, loops if rest < 100).
- 1 x Mapping Generator (creates variable values for each note or key, can be used as custom waveform for LFO2).
- 1 x noise (white, pink).
- 1 x the common extras, such as Glide/Glide2.
- 1 x stereo chorus (global).
- 1 x ping pong delay (global).
- 1 x Bass/Treble booster (global).
25 signal sources, 30+ signal targets, some paths wired internally so that it makes noise even without a single cable attached (think ARP 2600). 100% free of Supersaw. Instead it has:
- Exceptional sync /w FM (VCO1->VCO2, think Cross-modulation).
- LFOs that can be used as additional VCOs and vice versa.
- Exceptional filter sound including convincing self oscillation.
- Multichannel MIDI support.
- Support for .tun files.
- 800+ presets, including banks by Howard Scarr and Skippy Lehmkuhl.
- User interface zooms in 10% steps (70-200%).
- Configuration menu to set preferences and assign MIDI controls.
Diva’s oscillators, filters and envelopes (which can be mixed and matched) closely model components also found in some of the great monophonic and polyphonic synthesizers of yesteryear. “But,” says Urs, “what truly sets DIVA apart is the sheer authenticity of the circuit emulations – at the cost of a relatively high CPU-hit, DIVA is the first native software synth that applies methods from industrial circuit emulators (search for “PSpice”) in realtime. Especially the authentic behaviour of DIVA’s zero-delay-feedback filters, when pushed to the limits, demonstrates the advantages of this groundbreaking approach.”
u-he describes the available filters as “famous transistor ladder”, “screaming Sallen-Key”, “classic OTA ladder” and “OTA state-variable” (and similar for the oscillators), and owners of classic analogue synths will already know how best to apply these models – they are easily differentiated in the gorgeous user interface.